Smart Learning

This post is intended for use with the Literary London walking tour and smart learning activities.

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This post is intended for use with the Literary London walking tour and smart learning activities.

Continuing west, we turn right into Old Bailey and continue until the central criminal courts and the location of the former Roman and medieval city gate of Newgate. Newgate was demolished in 1767 and housed the original prison. The rebuilt Newgate prison was almost destroyed in the Gordon Riots of 1780. The 23 year-old engraver (and future visionary poet and artist) William Blake was in the crowd at Newgate as the prison burned. The wall of the fire-damaged prison was painted with the name of ‘His Majesty, King Mob’ by whose authority the inmates had been freed.

Daniel Defoe spent four months in Newgate in 1703 until Tory politician Robert Harley, the Earl of Oxford and Speaker of the House of Commons intervened. Defoe became a secret agent and political journalist for Harley, agitating for the Tories against his dissenting convictions and single-handedly writing the Review between 1704-1713. Defoe’s experience of Newgate is given to his character Moll Flanders (1722), who is born there and describes it as,

‘… an emblem of hell,’ and ‘That horrid place! My very blood chills at the mention of its name; the place where so many of my comrades had been locked up, and from whence they went to the fatal tree; the place where my mother suffered so deeply, where I was brought into the world, and from whence I expected no redemption but by an infamous death: to conclude, the place that had so long expected me, and which with so much art and success I had so long avoided.’ Defoe (Moll Flanders).

The misery of Newgate continued for many years. Charles Dickens describes his visit in Sketches by Boz (1836):

‘ … these same men, day by day, and hour by hour, pass and repass this gloomy depository of the guilt and misery of London, in one perpetual stream of life and bustle, utterly unmindful of the throng of wretched creatures pent up within it — nay, not even knowing, or if they do, not heeding, the fact, that as they pass one particular angle of the massive wall with a light laugh or a merry whistle, they stand within one yard of a fellow-creature, bound and helpless, whose hours are numbered, from whom the last feeble ray of hope has fled for ever, and whose miserable career will shortly terminate in a violent and shameful death. Contact with death even in its least terrible shape, is solemn and appalling. How much more awful is it to reflect on this near vicinity to the dying – to men in full health and vigour, in the flower of youth or the prime of life, with all their faculties and perceptions as acute and perfect as your own; but dying, nevertheless – dying as surely – with the hand of death imprinted upon them as indelibly  – as if mortal disease had wasted their frames to shadows, and corruption had already begun!’
‘Visit to Newgate.’

Charles Dickens, Great Expectations – the returned convict Magwitch is sentenced to death

‘I could scarcely believe, even as I write these words, that I saw two-and-thirty men and women put before the Judge to receive that sentence together. Foremost among the two-and-thirty was he; seated, that he might get breath enough to keep life in him.
The whole scene starts out again in the vivid colors of the moment, down to the drops of April rain on the windows of the court, glittering in the rays of April sun. Penned in the dock, as I again stood outside it at the corner with his hand in mine, were the two-and-thirty men and women; some defiant, some stricken with terror, some sobbing and weeping, some covering their faces, some staring gloomily about. There had been shrieks from among the women convicts; but they had been stilled, and a hush had succeeded. The sheriffs with their great chains and nosegays, other civic gewgaws and monsters, criers, ushers, a great gallery full of people,—a large theatrical audience,—looked on, as the two-and-thirty and the Judge were solemnly confronted. Then the Judge addressed them.’

‘The appointed punishment for his return to the land that had cast him out, being Death, and his case being this aggravated case, he must prepare himself to Die […] Rising for a moment, a distinct speck of face in this way of light, the prisoner said, “My Lord, I have received my sentence of Death from the Almighty, but I bow to yours,” and sat down again. There was some hushing, and the Judge went on with what he had to say to the rest. Then they were all formally doomed, and some of them were supported out, and some of them sauntered out with a haggard look of bravery, and a few nodded to the gallery, and two or three shook hands, and others went out chewing the fragments of herb they had taken from the sweet herbs lying about. He went last of all, because of having to be helped from his chair, and to go very slowly; and he held my hand while all the others were removed, and while the audience got up (putting their dresses right, as they might at church or elsewhere), and pointed down at this criminal or at that, and most of all at him and me.’
https://www.gutenberg.org/files/1400/1400-h/1400-h.htm

The prison was demolished in 1904 and the current law courts built on the site.

Aspects of this place to think about

How have the criminal courts influenced inner London life? What was it like to be sent there, how was it different for women and men?

• Prisoners: rich and poor
• The effect of public hanging and gallows in London for many hundreds of years
• Corruption in politics and the Law – money and influence
• The relatively recent emergence of modern policing, and crime & detective fiction
• How different people in modern London experience policing, justice and equality before the Law

Content available at the location, about the  place or area

Investigate all the other icons on the Aurasma augmented trigger, use the icons guide to find out what is available.

Triggering the Augmented Reality

Remember to focus on the trigger image using the Aurasma camera, centering the image to be as similar to what you see on the map as you can. The Aurasma camera provides small watermarks at each corner of its camera view to help guide your focus.

Image by Unknown – http://www.history.org/foundation/journal/summer11/prison.cfm, Public Domain, https://commons.wikimedia.org/w/index.php?curid=20493402

This post is intended for use with the Literary London walking tour and smart learning activities.

The current dining house is on the site of a tavern and rooming house that features in Dickens’s first novel The Pickwick Papers, serialized in 1836-7, commissioned following the success of Sketches by Boz. Note the bust of Dickens through the restaurant window.

Much of The Pickwick Papers takes place elsewhere and Mr Pickwick and his companions travel from inn to inn but The George and Vulture is often mentioned in the work.

Mr Pickwick is the victim of a frivolous court case and Dickens had earlier worked as a court reporter at Doctor’s Commons, which specialised in probate and divorce, and as a reporter in parliament. His hatred of corruption, obfuscation and delay stems from this time. As a reporter he was also tasked with crossing London from one end to the other, walking for hours through London’s teeming streets. His ability to observe and note down the peculiarities of people from all walks of life was helped by this early work.

“The morning of the thirteenth of February […] was a busy time for Mr Samuel Weller, who was perpetually engaged in travelling from the George and Vulture to Mr Pecker’s chambers and back again, from and between the hours of nine o’clock in the morning and two in the afternoon, both inclusive.”
***
“What is Nathaniel’s address, Mr Pickwick?”
“The George and Vulture, at present,” replied that gentleman.
“George and Vulture. Where is that?”
“Sun Court, Cornhill”

On the way to St Mary Woolnoth look out for a plaque commemorating the location of Edward Lloyd’s coffee house on no.16 Lombard Street, the forerunner of Lloyd’s of London. Note the golden Gresham Grasshopper above Martins Bank, founded by Thomas Gresham in 1563, and as you walk west, Pepys’s favourite coffee house, Elford’s, in Exchange Alley, now Change Alley, to your right. Also on Exchange Alley were Jonathan’s and Garraway’s coffee houses where shares trading took place. A fire in 1748 destroyed The George and Vulture, Garraway’s, Jonathan’s and the Jerusalem coffee houses. At the end of Lombard St we come to the church of St Mary Woolnoth (1716-1727), designed by Nicholas Hawksmoor and mentioned in The Waste Land by T.S. Eliot in 1922.

Aspects of this place to think about

• The role of coaching inns and taverns in a society dependent on the horse
• Life in Victorian London – what might the location you’re standing in now have looked like? What sounds, smells and sights would you have seen?
• What forms of observation are peculiar to your work? What aspects of society do you see at work that others might not see?
• How much of your time do you spend in the streets? How different was this in Dickens’s time?
• Women in coffee houses, pubs and taverns

Content available at the location, about the  place or area

Investigate all the other icons on the Aurasma augmented trigger, use the icons guide to find out what is available.

Triggering the Augmented Reality

Remember to focus on the trigger image using the Aurasma camera, centering the image to be as similar to what you see on the map as you can. The Aurasma camera provides small watermarks at each corner of its camera view to help guide your focus.

Img by Francis Hopkinson Smith (1838-1915) – http://www.reusableart.com/d/2046-3/buildings-04.jpg, Public Domain, https://commons.wikimedia.org/w/index.php?curid=25169185

This post is intended for use with the Literary London walking tour and smart learning activities.

Read more →

This post is intended for use with the Literary London walking tour and smart learning activities.Read more →